{"id":26,"date":"2026-10-07T10:45:57","date_gmt":"2026-10-07T10:45:57","guid":{"rendered":"https:\/\/sophiejarrosson.com\/?page_id=26"},"modified":"2026-10-07T20:00:47","modified_gmt":"2026-10-07T18:00:47","slug":"parcours","status":"publish","type":"page","link":"https:\/\/sophiejarrosson.com\/index.php\/parcours\/","title":{"rendered":"Parcours"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"http:\/\/sophiejarrosson.com\/wp-content\/uploads\/2026\/10\/20181001_100544-1024x576.jpg\" alt=\"Outils\" class=\"wp-image-44\" srcset=\"https:\/\/sophiejarrosson.com\/wp-content\/uploads\/2026\/10\/20181001_100544-1024x576.jpg 1024w, https:\/\/sophiejarrosson.com\/wp-content\/uploads\/2026\/10\/20181001_100544-300x169.jpg 300w, https:\/\/sophiejarrosson.com\/wp-content\/uploads\/2026\/10\/20181001_100544-768x432.jpg 768w, https:\/\/sophiejarrosson.com\/wp-content\/uploads\/2026\/10\/20181001_100544-1536x864.jpg 1536w, https:\/\/sophiejarrosson.com\/wp-content\/uploads\/2026\/10\/20181001_100544-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ETUDES<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Master 2 mention Conservation-Restauration, Ecole Sup\u00e9rieure d\u2019Art, Avignon<br>Master 2 option Art, Ecole Sup\u00e9rieure des Beaux Arts, Nantes<br>Licence 3 Histoire de l\u2019Art, Universit\u00e9 de Nantes<br>Bilingue anglais<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">DOMAINES D\u2019EXPERTISES<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Recherches documentaires, historiques et iconographiques.<br>Descriptif de l\u02bcoeuvre.<br>Constat d&rsquo;\u00e9tat dat\u00e9, document\u00e9 et illustr\u00e9.<br>Etudes pr\u00e9alables : Diagnostic et pr\u00e9conisations d&rsquo;interventions.<br>Protocole d\u02bcintervention.<br>Proposition d\u02bcintervention : conservation, conservation-restauration, restauration.<br>R\u00e9daction du dossier d&rsquo;intervention, dat\u00e9, document\u00e9 et illustr\u00e9.<br>Bilan sanitaire des collections<br>Conseils en conservation pr\u00e9ventive<br>Je suis sp\u00e9cialis\u00e9e en restauration de la couche picturale du XVII\u00e8me si\u00e8cle \u00e0 l\u2019\u00e9poque contemporaine.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">PUBLICATIONS<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Revue italienne de conservation-restauration, \u00e9dition sp\u00e9ciale Guido Reni, 2025<br><a href=\"https:\/\/www.kermes-restauro.it\/prodotto\/kermes-n-137-138\/\">https:\/\/www.kermes-restauro.it\/prodotto\/kermes-n-137-138\/<\/a><\/li>\n\n\n\n<li>Participation \u00e0 l\u2019ouvrage \u00ab&nbsp;De l&rsquo;autre c\u00f4t\u00e9 du tableau&nbsp;\u00bb, conseils et corrections de la partie restauration-conservation de tableaux, Mus\u00e9e municipal de La Roche-sur-Yon, Ed Snoeck Publishers, janvier 2021<br><\/li>\n\n\n\n<li>Intervention lors des Journ\u00e9es d\u2019\u00c9tudes \u201cLES M\u00c9MOIRES DE LA RESTAURATION\u201d, 15 -16 novembre 2018, Nantes, Mus\u00e9e d\u2019Arts avec le C2RMF \u00ab&nbsp;Un tr\u00e9sor \u00e9tait cach\u00e9 en r\u00e9serves : Histoire d\u2019une red\u00e9couverte&nbsp;\u00bb, avec Sarah Chanteux, Mus\u00e9e de La Roche-sur-Yon et Patrick Buti restaurateur. Publication : <a href=\"https:\/\/merovingio.c2rmf.cnrs.fr\/c2rmf\/restauration\/JDN2018.pdf\">https:\/\/merovingio.c2rmf.cnrs.fr\/c2rmf\/restauration\/JDN2018.pdf<\/a>.<br><\/li>\n\n\n\n<li>\u00c9tude du tableau \u00ab&nbsp;Les Poissonniers&nbsp;\u00bb de Vincenzo Campi, 1579 pour le Mus\u00e9e de La Roche-sur-Yon. Mai 2017. Non publi\u00e9e.<br><\/li>\n\n\n\n<li>R\u00e9f\u00e9rence \u00e0 l\u2019\u00e9tude des \u00ab&nbsp;Poissonniers&nbsp;\u00bb tableau de Vincenzo Campi dans le catalogue d\u2019exposition \u00ab&nbsp;La grande bouffe&nbsp;\u00bb, mus\u00e9e de Soissons, Novembre 2017. R\u00e9f\u00e9rence : S. Laroche et Ch. Brouard (dir.), La grande bouffe. Peintures comiques dans l\u2019Italie de la Renaissance, \u00c9ditions Li\u00e9nart, 88 p., 2017.<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">FORMATIONS ET COLLOQUES<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Stage de conservation et conservation pr\u00e9ventive deux mois \u00e0 l\u2019\u00e9cole sup\u00e9rieure des Beaux Arts de Paris sous la direction de Mr Schwartz, conservateur des peintures et sculptures de la collection. Constats d\u2019\u00e9tats, bilan sanitaire et d\u00e9poussi\u00e9rage des Prix de Rome et constats de d\u00e9part d\u2019oeuvres pour une exposition en Chine.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Formation continue INP, \u00ab&nbsp;Nouvelles m\u00e9thodes pour la protection des biens en ext\u00e9rieur et l\u2019enl\u00e8vement des tags&nbsp;\u00bb. Intervenant : Richard Wolbers, Paris.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Formation continue INP, \u00ab Adh\u00e9sifs, consolidants et vernis&nbsp;\u00bb, intervenant: Charles Velson Horie, Paris<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Formation permanente INP, \u00ab&nbsp;Conservation Pr\u00e9ventive, Les mat\u00e9riaux de conservation&nbsp;\u00bb, Paris.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S\u00e9minaire de Recherche INP, \u00ab&nbsp;Restauration et conservation d\u2019\u0153uvres d\u2019art contemporain&nbsp;\u00bb, Paris.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Colloques organis\u00e9s par la SFIIC en partenariat avec le MUCEM, le CICRP et le Mus\u00e9e de la Musique, Cit\u00e9 de la musique-Philharmonie de Paris, Marseille 4-5 octobre 2018 : \u00ab&nbsp;Lieux et processus de production, Mat\u00e9riaux pauvres \u2013 Mat\u00e9riaux nobles&nbsp;\u00bb.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Colloques \u00ab&nbsp;Mobiliers, ensembles, d\u00e9cors. Conserver, restaurer, faire vivre&nbsp;\u00bb jeudi 28 et vendredi 29 janvier 2016, Paris.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Colloques \u00ab&nbsp;Comportement m\u00e9canique des toiles&nbsp;\u00bb, Paris, jeudi 29 et vendredi 30 septembre 2016, ICOM-CC<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Renseignement sur la conservation-restauration<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.inp.fr\/\" data-type=\"link\" data-id=\"https:\/\/www.inp.fr\/\">INP<\/a> Institut National du Patrimoine<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/esaavignon.eu\/\" data-type=\"link\" data-id=\"https:\/\/esaavignon.eu\/\">Avignon<\/a> Ecole des beaux arts Avignon<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/formations.pantheonsorbonne.fr\/fr\/catalogue-des-formations\/master-M\/master-conservation-restauration-des-biens-culturels-KBTEAMWC.html\" data-type=\"link\" data-id=\"https:\/\/formations.pantheonsorbonne.fr\/fr\/catalogue-des-formations\/master-M\/master-conservation-restauration-des-biens-culturels-KBTEAMWC.html\">Paris Panth\u00e9on Sorbonne<\/a> Universit\u00e9 Panth\u00e9on Sorbonne<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.icomos.org\/fr\/chartes-et-textes-doctrinaux\/\">Charte de Venise<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/icom.museum\/fr\/ressources\/normes-et-lignes-directrices\/code-de-deontologie\/\" data-type=\"link\" data-id=\"https:\/\/icom.museum\/fr\/ressources\/normes-et-lignes-directrices\/code-de-deontologie\/\">Charte Icom<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/sophiejarrosson.com\/\" data-type=\"page\" data-id=\"40\">Retour page d\u2019accueil<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ETUDES Master 2 mention Conservation-Restauration, Ecole Sup\u00e9rieure d\u2019Art, AvignonMaster 2 option Art, Ecole Sup\u00e9rieure des Beaux Arts, NantesLicence 3 Histoire de l\u2019Art, Universit\u00e9 de NantesBilingue anglais DOMAINES D\u2019EXPERTISES Recherches documentaires, historiques et iconographiques.Descriptif de l\u02bcoeuvre.Constat d&rsquo;\u00e9tat dat\u00e9, document\u00e9 et illustr\u00e9.Etudes pr\u00e9alables : Diagnostic et pr\u00e9conisations d&rsquo;interventions.Protocole d\u02bcintervention.Proposition d\u02bcintervention : conservation, conservation-restauration, restauration.R\u00e9daction du dossier d&rsquo;intervention, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-26","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Parcours - Atelier de restauration de tableaux<\/title>\n<meta name=\"description\" content=\"Parcours et \u00e9tudes effectu\u00e9es en conservation-restauration. 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